Monday, July 24, 2006

Math

My apartment has been slowly slouching towards presentability, lo, this long last year, and this past Saturday we finally had some friends over for cocktails.

J. was the first to notice my pitifully small DVD collection.

"That's fascinating."

"What?"

"Your collection is: Lord of the Rings, Queer as Folk, Margaret Cho, and Star Trek."

"I guess it's a weird collection."

"Well, no. Not really. It pretty much sums you up, right there."

Monday, July 10, 2006

Sangju

My grandmother lived with us for the first few years we lived in the States. I was very young, and my memories from this time are all a sepia blur. Mostly it's just impressions. She was very old even then -- thinning snow-white hair a fright, thicky creased eyes weighted down by flaps of drooping flesh. She wore dull grey peasants' clothes, sashes over petticoats and a tiny sheathed dagger at her neck, that probably looked anachronistic when she was a girl.

She never learned any English. She refused to look at the TV. She never acknowledged strangers on her morning walks. Her only connection to the outside world were the Korean newspapers my aunt would send to her at the end of every month, when they were weeks out of date and brittle and red with age. For all that my used to feel that my parents lived apart from the world of mainstream American culture my friends' families all seemed to inhabit, my grandmother lived one step further removed, in a tiny bubble of reality of her own fashioning that had its own time and its own rules.

The neighborhood children were all scared of her. They called her a witch, and I think I believed them, because she was the one who taught me all of the superstitious nonsense my parents didn't want me to know.

You can read the future in the way cards fall, and in the fight of birds.

Begin things when the moon is new, and never during its wane.

Wear your clothes inside out to confuse evil spirits.

Never cut your nails at night; cast the trimmings into the fire.

And so on.

I don't believe any of this, you understand. This is the 21st century, and I'm not a superstitious man by nature. There is no place in my life for folk remedies and old wives' tales.

--

A week ago my grandmother fell and hit her head, causing an intracranial blood clot followed by hydrocephalus and, eventually, coma. I have been getting sporadic word from my parents, who have flown to Seoul to do whatever it is one does when your mother is ninety and in a coma. Things sound grim -- a ventricular catheter has been installed to drain excess cerebrospinal fluid, but although the intracranial pressure has been relieved somewhat, she hasn't responded to the treatment yet. The doctors, reading between the lines, are at a loss. Korean women of her generation do not often live to be ninety.

I will need to get ready. I am the oldest grandson and heir, and there are things that will need to be done. They will tie my hair back with hemp and call me sangju, and I will guide the spirit to heaven. I will write write a blessing on the funeral shroud, pour a sacrament of wine over the grave, and burn her last garment as an offering to the gods. My wails will comfort the spirits of our ancestors and open the gates of heaven. It will mean the difference between curse and benediction.

Things have been a little jarring, lately. I am at work, I am talking to my parents about feeding tubes and cranial shunts and catheters, I am pushing papers across my desk, but I am not here. I am not here at all.

Monday, July 03, 2006

A midwestern fairy tale

Over a hundred painted, bejeweled, life-size porcelain cow statues -- commissioned by the local chamber of commerce (or something) to recognize the importance of the dairy industry (or something) -- have been deployed all over the streets of Madison. Each has been designed, deconstructed, reconstructed, decorated, and reimagined by a local artist and then given a whimsical name. One, painted yellow with orange circles to resemble Swiss cheese, is called "Holy Cow" (ho ho ho!). Another, near the entrance to our new arts center, is painted in the delicate geometric designs characteristic of Taliesin and called "Frank Loin Wright" (ho ho ho!). And there's more! Town and Cowntry. Pink Flamingcows. Georgia Cow'Keefe. My favorite is Babushka Marushka the Polka Cow, who guards the entrance to my local Walgreen's drugstore in a state of preternatural cow-like readiness.

The cows are everywhere.

They line both sides of State Street along the entire length of my ambulatory commute to work each morning.

They ring the Capitol square in a multicolor shellac bovine parade.

There is even one far out along the bike path skirting Lake Monona, shaped like a kneeling cow topped with ice cream and a gargantual melon-sized cherry on top.

I kind of love them. They're awful, and they're hideously tacky, but I love them.

----

It took me weeks to realize that some of the statues move around. The cows at the bottom of State Street, in the little concrete park where the skinny little emo boys skateboard and smoke menthols, change configurations every few days. A few weeks ago they were standing in a circle, nose to nose with their hindquarters pointing out. This morning, they were milling randomly about the park like any other grazing herd of cattle.

My favorite cow, the first one I noticed moved, is a simple black-and-white Jersey who meanders up and down West Washington, gracing the front lawn of first one dumpy grad student apartment complex and then another. I have never seen the workers who must come at night to pick up and move the statues from place to place. I have never even talked with anyone else who has noticed that the cows are motile.

It all reminds me a little of the old fairy tale about the twelve enchanted girls who are statues by day, but who transform back into princesses when the moon strikes them just right. They dance together every evening, only to be turned back to stone when the sun breaks over the horizon in the morning.

Late into the evenings, when the lamplights shimmer off the darkly glazed eyes of the statues, and I am too tired to think entirely straight, I can't help but imagine that these statues are just moments from springing to enchanted life. Maybe they're all secret cow princesses, and in a moment, when I've rounded the corner and the square is comfortably empty again, they will wake up and dance the wee morning hours away.

It seems like a very midwestern sort of fairy tale.